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24
ÍÎ×È
(24 nights) ãåé
101 ÏÀÐÅÍÜ ÏÎ ÍÀÉÌÓ(101 Rent Boys Uncut) ãåé ÀËÈÑÀ È ÌÀÐÒÈÍ "Alice et Martin"ãåé ÀÍÄÆÅËÎ (Angelo) ãåé ÀÍÃÅË "Angel" ãåé ÀÏÅËÜÑÈÍÛ È ÃÐÅÉÏÔÐÓÒÛ(Oranges and Pamplemousses)ãåé ÁÀÁÈÉ ÁÓÍÒ (W\men in revol) òðàíñt ÁÀÐÕÀÒÍÎÅ ÇÎËÎÒÎÅ ÄÍÎ(Violet Goldmine)ýïèçîä ÁÅÇ ÒÎÐÌÎÇΠ- (Head On)ãåé ÁÅÇ ÈÇÚßÍÀ(Flawless) òðàíñ\ëèö\ðåö ÁËÀÍÒ -×ÅÒÂÅÐÒÛÉ ×ÅËÎÂÅÊ (Blunt -- The Fourth Man)ýïèçîä ÁËÈÇÊÈÅ ÄÐÓÇÜß -1(Queer As Folk - 1) ãåé ÁËÈÇÊÈÅ ÄÐÓÇÜß -2 (Queer As Folk - 2)ãåé ÁËÈÇÊÈÅ ÄÐÓÇÜß (Queer As Folk): êàê ñíèìàëñÿ ôèëüì.ãåé\äîê ÁËÈÇÊÈÅ ÄÐÓÇÜß QUEER AS FOLK  ÑØÀ: ÍÎÂÀß ÂÅÐÑÈß (Ïåðâûé ñåçîí) ãåé ÁËÈÇÊÈÅ ÄÐÓÇÜß QUEER AS FOLK  ÑØÀ: ÍÎÂÀß ÂÅÐÑÈß.(ÂÒÎÐÎÉ ÑÅÇÎÍ).ãåé ÁÎÆÜÈ ÒÂÀÐÈ (Dios Los Cria) ÁÎÉÔÐÅÍÄÛ: ÊÎÌÓ ÎÍÈ ÍÓÆÍÛ?(Boyfriends: Who Needs Them?)ãåé ÁÎÃÈ È ÌÎÍÑÒÐÛ "Gods And Monsters" - (èçâåñòåí òàêæå êàê: "The Father of Frankenstein"ãåé\ëèö\ðåö ÁÎÃÎÌÀÒÅÐÜ ÓÁÈÉÖ (La Vierge des tueurs, àíãë.íàçâàíèå - Our Lady of the Assassins) ãåé ÁÎÁ È ÐÎÓÇ .(Bob & Rose) ãåé ÁÎËÜØÀß ÑÒÐÈÆÊÀ (The Big Tease)ýïèçîä\ëèö ÁÎËÜØÎÉ ÐÀÉ (Big Eden) ãåé ÁÎËÜØÅ , ×ÅÌ ËÞÁÎÂÜ,ÔÐÅÍÅÑÈ (Mas que amor, Frenesi) ÁÐÀÒÜß ÊÐÅÉ (The Krayså) ÁÓÄÜ ÃÎÒÎÂ! (Oi warning) ýïèçîä  ÃÎÄ ÒÐÈÍÀÄÖÀÒÈ ËÓÍ (In einem Jahr 13 Monden)ãåé  ÎÄÍÎÌ ÄÎÌÅ ÂÌÅÑÒÅ Ñ ÊËÎÄÎÌ (Being At Home With Claude)ãåé  ÏÎÈÑÊÀÕ ÑÅÂÅÐÀ (Finding North)ãåé  ÑÓÌÅÐÊÀÕ (In the Gloaming)ãåé  ×ÅÑÒÜ ÏÐÎÏÀÂØÅÃÎ ÑÎËÄÀÒÀ("Vaan een verloren soldaat" "For a lost soldier")ãåé ÂÂÅÐÕ ÍÎÃÀÌÈ È ÍÀÏÅÐÅÊÎÑßÊ ("Pano Kato ke plagios""Up, Down and Sideways")ãåé\ëèö\ðåö ÇÀÏÀÄÍÈÊ(ÂÅÑÒËÅÐ: Ê ÇÀÏÀÄÓ ÎÒ ÑÒÅÍÛ) (Westler: East Of The Wall)ãåé ÂÅ×ÅÐÍÅÅ ÏËÀÒÜÅ (TENUE DE SOIREE)ãåé\áè ÂÅ×ÅÐÍÈÉ ÏÐÈÊÈÄ (Pedale Douce)ãåé ÂÈÀ ÀÏÏÈÀ (Via Appia)ãåé ÂÈÃÑÒÎÊ : ôåñòèâàëü òðàíñâåñòèòîâ ("Wigstock") òðàíñ\äîê ÂÈÊÒÎÐ- ÂÈÊÒÎÐÈß (VIKTOP- VIKTORIA) ýïèçîä ÂÈÐÒÓÀËÜÍÀß ÑÅÊÑÓÀËÜÍÎÑÒÜ (Virtual Sexuality)ëèö ÂÈÐÓÑ (And The Band Played On)ýïèçîä ÂÈÑß×ÈÉ ÑÀÄ(The Hanging Garden) ãåé ÂÈÒÃÅÍØÒÅÉÍ ( Wittgenstein )ýïèçîä ÂËÅ×ÅÍÈÅ ( Bent)ãåé ÂËÞÁËÅÍÍÛÅ ÏÀÐÍÈ ( “The Best of Boys In Love”)ãåé ÂÌÅÑÒÅ ÍÀÂÑÅÃÄÀ (ÍÀÅÄÈÍÅ) " ÂÌÅÑÒÅ ÏÎÎÄÈÍÎ×ÊÅ" (Together Alone)ãåé ÂÌÅÑÒÅ (Tillsammans) ýïèçîä-ãåé-ëåñáè,ëèö ÂÍÅÇÅÌÍÎÅ (Auserirdische)ãåé ÂÎÍà ÔÓ: ÁÎËÜØÎÅ ÑÏÀÑÈÁÎ ÎÒ ÄÆÓËÈÈ ÍÜÞÌÅÍ ("To Wong Foo, Thanks For Everything, Julie Newmar") òðàíñ ÂÎÇÂÐÀÙÅÍÈÅ Â ÁÐÀÉÑÕÅÄ - /Brideshead Revisited/ýïèçîä ÂÎ ÏËÎÒÈ (In The Flesh)ãåé\ëèö\ðåö ÂÎËÊÈ ÊÐÎÌÅÐÀ (The Wolves of Kromer) ãåé ÂÎÑÊÐÅÑÅÍÜÅ, ÊÐÎÂÀÂÎÅ ÂÎÑÊÐÅÑÅÍÜÅ (Sunday, Bloody Sunday)áè ÂÎÑÒÎÊ ÅÑÒÜ ÂÎÑÒÎÊ (East Is East)ýïèçîä\ëèö ÂÎÑÒÎ×ÍÛÉ ÄÂÎÐÅÖ, ÇÀÏÀÄÍÛÉ ÄÂÎÐÅÖ (East Palace, West Palace )ãåé ÂÎÑÕÈÒÈÒÅËÜÍÀß ÃÐÀÖÈß(Amazing Grace) ãåé ÂÏÎËÍÅ ÅÑÒÅÑÒÂÅÍÍÎ (Very Natural Thing) ãåé ÂÑÅ Î ÌÎÅÉ ÌÀÒÅÐÈ (Todo sobre mi madre) òðàíñ\ëèö ÂÒÎÐÀß ÊÎÆÀ(Second Skin, Segunda Piel)ãåé\áè\ëèö\ðåö ÂÒÎÐÀß ÏÎÄÀ×À (Second Serve) òðàíñ ÂÛÕÎÄ ÈÇ ÏÎÄÏÎËÜß (COMING AUT)ãåé ÂÓÍÄÅÐÊÈÍÄÛ (Wonder Boys) ýïèçîä\ëèö ÃÅÉ ÊËÀÑÑÈÊÀ (Gay Classics)ãåé ÃÅÍÅÇÈÑ (The Genesis Children)ãåé ÃËÀÂÍÎÅ- ËÞÁÈÒÜ"L'important c'est d'aimer" "L'Importante e amare", "The Most Important Thing: Love", "The Main Thing Is to Love" ÃËÀÂÍÀß ÑÖÅÍÀ (Center Stage) ëèö ÃËÈÒÒÅÐÁÀà (Ñâåòëÿ÷îê) Glitterbug ÃÎËËÈÂÓÄÑÊÈÉ ÏÎÖÅËÓÉ ÁÈËËÈ (Billy's Hollywood Screen Kiss)ãåé ÃÎËÎÑ ÌÎÉ, ÃÎËÎÑ ÒÂÎÉ "Boca a boca" "Mouth to Mouth"ýïèçîä ÃÎËÓÁÛÅ ÎÁÌÀÍÙÈÊÈ (The Gay Deceivers)ãåé ÃÎËÛÉ ×ÈÍÎÂÍÈÊ(The Naked Civil Servant/ Wie man sein Leben lebt / L'homme que je suis")ãåé ÃÎËÛÉ ÇÀÂÒÐÀÊ ("Îáåä íàãèøîì", "Naked Lunch")ýïèçîä ÃÎÐÎÄ ÑÎËÍÖÀ (Too Much Sun)ãåé ÃÎÐÎÄÑÊÈÅ ÈÑÒÎÐÈÈ(÷àñòü1)(Tales of the City) ëåñáè\ãåé ÃÎÐÎÄÑÊÈÅ ÈÑÒÎÐÈÈ (÷àñòü2)(More Tales of the City )ëåñáè\ãåé ÃÐÎÒÅÑÊ( Grave Indiscretion )ýïèçîä\áè ÃÐßÇÍÛÅ ÊÀÐÒÈÍÊÈ (Dirty Pictures)ýïèçîä\ëèö\ðåö ÃÓÌÌÎ (Gummo)ýïèçîä ÄÀÂÈÄ(Dafydd)ãåé ÄÀÊÀÍ (Dakan) ãåé ÄÀÂÍÈÉ ÄÐÓà (LONGTIME COMPANION)ãåé ÄÅÂÎ×ÊÈ ËÞÁßÒ ÈÍÀ×Å ( ÄÐÓÃÎÉ ÄËß ÄÅÂ×ÅÍÎÊ)(Different for Girls)òðàíñ\ëèö\ðåö ÄÅËÜÒÀ (The Delta)ãåé ÄÅËÎ ÂÊÓÑÀ Une arrairre de guot (A Matter Of Taste) ýïèçîä\ëèö\ðåö ÄÅÏÓÒÀÒ (El Diputado)áè\ãåé ÄÆÅÊÑÎÍ : ÌÎß ÆÈÇÍÜ, ÒÂÎß ÂÈÍÀ (Jackson: My Life, Your Fault)ãåé ÄÆÅÔÐÈ(Jeffrey)ãåé ÄÆÎÍÛ ("Johns")ãåé Äæîø è Ñ.Ý.Ì. (Josh and S.A.M.) ÄÈÊÈÅ ÍÎ×È(Savage Nights)áè ÄÈÊÈÅ ÒÐÎÑÒÍÈÊÈ (LES ROSEAUX SAUVAGES)ãåé ÄÈÎÍÈÑÈÉ Dionysos ÄÍÈ (Days) ãåé ÄÎ ÑÀÌÛÕ ÎÊÐÀÈÍ(From the Edge of the City = Apo Tin Akri Tis Polis), ÄÎÁÅÐÌÀÍ (Doberman) òðàíñ-ýïèçîä\ëèö ÄÎÃÎËÀ (Skin Flick)ãåé ÄÎÌ ÁÎËÜØÎÃÎ ×ËÅÍÀ (The House of Morecock), ãåé\ìóëüòôèëüì ÄÎÍÜß ÃÅÐËÈÍÄÀ È ÅÅ ÑÛÍ (Dona Herlinda and Her Son)ãåé ÄÐÅÉÔ (Drift) ãåé ÄÐÓÃÀß ÈÑÒÎÐÈß ËÞÁÂÈ (Otra Historia de Amor)ãåé ÄÐÓÃÀß ËÞÁÎÂÜ( ÍÅÎÁÛ×ÍÀß ËÞÁÎÂÜ)( No Ordinary love)ãåé ÄÐÓÃÀß ÑÒÐÀÍÀ(Another country)ãåé ÄÝÂÈÄ Â ÏÎÈÑÊÅ ( ïîèñêàõ Äýâèäà) (David searching)ãåé ÅÙÅ ÐÀÇ ("Encore" "Àíêîð", "Encore: Once More")ãåé ÅÑËÈ ÁÛ ÑÒÅÍÛ ÌÎÃËÈ ÃÎÂÎÐÈÒÜ -2 (If these walls could talk -2) ëåñáè\ëèö ÅÑËÈ ÁÛ ÊÐÀÑÎÒÀ ÓÁÈÂÀËÀ (If looks could kill: from the files of America's most wanted)ýïèçîä ÅÑËÈ ÁÛ ÒÛ ÒÎËÜÊÎ ÇÍÀËÀ (If You Only Knew) ãåé\ðåö\ëèö ÆÀÆÄÀ (Durst)ãåé ÆÀÐÊÈÌ ËÅÒÍÈÌ ÄÍÅÌ (Dog Day Afternoon)ýïèçîä ÆÈÂÎÉ È ÓÌÈÐÀÞÙÈÉ ("Alive and kicking""Èíäåéñêîå ëåòî", "Indian Summer")ãåé ÆÅËÅÇÍÛÅ ËÅÄÈ ("Iron Ladies") ãåé/òðàíñ/ëèö ÆÈÇÍÜ ÂÎ ËÆÈ (Bugie Rosse)ãåé ÆÈÇÍÜ ÏÀÐÍÅÉ (Boys Life)ãåé ÆÈÒÜ È ÓÌÅÐÅÒÜ (ÍÈÃÄÅ) (NOWHERE)ãåé ÇÀ ÑÒÅÊËÎÌ (Tras el cristal)ýïèçîä ÇÀÁÛÒÛÉ ßÇÛÊ ÆÓÐÀÂËÅÉ (The Lost Language Of Cranes) "Schwul" - "Ãîëóáîé"ãåé ÇÀÄÍÈÖÀ (Le Derriere) ãåé ÇÀÊÀÒ ÀÌÅÐÈÊÀÍÑÊÎÉ ÈÌÏÅÐÈÈ (The Decline of the American Empire) ÇÀÊÎÍ ÆÅËÀÍÈß ("La Ley del deseo" "Law of Desire")ãåé ÇÀÍÈÌÀßÑÜ ËÞÁÎÂÜÞ (Making Love)ãåé ÇÀÏÐÅÒÍÀß ËÞÁÎÂÜ (Common Ground)ëèö\ëåñáè\ãåé ÇÂÅÐÈÍÅÖ "Animal Factory" ãåé-ýïèçîä ÇÅËÅÍÀß ÊËÅÒ×ÀÒÀß ÐÓÁÀØÊÀ (Green Plaid Shirt)ãåé ÇÎËÎÒÛÅ ÑÓÌÅÐÊÈ "The Twilight of the Gold"ãåé ÈÁÅÍ È ×ÀÐËÈ (Eban and Charlie) ãåé È ÑÍÎÂÀ ËÞÁÎÂÜ: 12 èñòîðèé î ëþáâè è ñìåðòè (Love reinvented: twelve stories of love and death) ãåé È ÃÎÂÎÐßÙÈÉ ÏÐÀÂÄÓ(Whoewer Says The Truth Shall Die)äîê ÈÃÐÛ ÑÎ ÑËÅÇÀÌÈ ("Âîçìóòèòåëüíàÿ èãðà", "The Soldier's Wife") (THE CRYING GAME) òðàíñ ÈÄÅÀËÜÍÛÉ ÏÎÖÅËÓÉ (A Perfect Kiss)ãåé ÈÑÊÓÑÑÒÂÎ ÒÓÑÎÂÀÒÜÑß Ñ ÌÓÆ×ÈÍÀÌÈ (The art of Cruising men)ãåé ÈÑÏÎÂÅÄÀËÜÍß (Le Confessional)ãåé ÈÑÒÎÐÈß ËÞÁÂÈ Â ÊÎÆÀÍÎÉ ÊÓÐÒÊÅ (Leather Jacket Love Story)ãåé ÊÀÊÈÌ ÒÛ ÌÅÍß ÕÎ×ÅØÜ (Come Mi Vuoi) ( "As You Want Me")òðàíñ ÊÀÐÀÂÀÄÆÎ (Caravaggio)ýïèçîä\áè ÊÀÏËÈ ÄÎÆÄß ÍÀ ÐÀÑÊÀËÅÍÍÛÕ ÑÊÀËÀÕ (Gouttes D'eau sur pierres brulantes)ëèö\ýïèçîä ÊÎÑÒÞÌÅÐ (The dresser)ýïèçîä ÊÂÀÐÒÈÐÀ 16 (Suite 16)ýïèçîä ÊÈÑÊÀ Ñ ÄÂÓÌß ÃÎËÎÂÀÌÈ (La Chatte a deux tetes) ÊÅÐÅËÜ - ÄÎÃÎÂÎÐ Ñ ÄÜßÂÎËÎÌ (QUERELLE - EIN PAKT MIT TEUFEL) ãåé ÊËÅÒÊÀ ÄËß ×ÓÄÈÊÎÂ-1 (LA CAGE AUX FOLLES)ãåé ÊËÅÒÊÀ ÄËß ×ÓÄÈÊÎÂ-2 (LA CAGE AUX FOLLES 2)ãåé ÊËÅÒÊÀ ÄËß ×ÓÄÈÊÎÂ-3 (LA CAGE AUX FOLLES-3)ãåé ÊËÓÁÍÈÊÀ  ØÎÊÎËÀÄÅ (FRESA Y CHOCOLATE)ãåé ÊËÓÁ ÑÒÎÓÍÂÎËË (Stonewall)ãåé ÊËÓÁ ÃÄÅ ÐÀÇÁÈÂÀÞÒÑß ÑÅÐÄÖÀ (The Broken Hearts Club) ãåé ÊÎÃÄÀ ÑÁÅÃÀÅÒ ÊÎÒ (When the Cat's Away) ýïèçîä ÊÎÃÄÀ ÏÐÈÕÎÄÈÒ ËÞÁÎÂÜ (When love comes) ãåé ÊÎÆÀ ÄÀ ÊÎÑÒÈ (Skin and Bone) ãåé ÊÎÍÄÎÌÛ ÓÁÈÉÖÛ (Kondom des Grauens) ýïèçîä ÊÎÍÅÖ ÄÎËÃÎÃÎ ÄÍß (The Long Day Closed) ýïèçîä ÊÐÀÑÍÀß ÃÐßÇÜ (Red Dirt) ãåé-ýïèçîä ÊÐÀÌÏÀÊ (Íèêî è Äàííè) (Krampack/Nico and Danni) ãåé\ëèö\ðåö ÊÎÐÎÒÊÈÅ ÈÑÒÎÐÈÈ ÏÀÐÍÅÉ (Boys' Shorts) ãåé ÊÐÓÈÇÈÍà (Cruising) ãåé ÊÐÓÒÈ ÁÓÒÛËÎ×ÊÓ (Spin the bottle)ãåé ÊÐÈÌÈÍÀËÜÍÛÅ ËÞÁÎÂÍÈÊÈ (Criminal Lovers ,Les Amants Criminels) ðåö\ëèö\ýïèçîä ÊÐÓÒÛÅ ÂÎÑÏÈÒÀÒÅËÈ( "Âîñïèòàíèå ãåðîåâ") "Raising Heroes"ãåé ÊÐÛÑßÒÍÈÊ (Sitcom)ðåö\ëèö\ýïèçîä ÊÓËÀ×ÍÎÅ ÏÐÀÂÎ ÑÂÎÁÎÄÛ (FAUSTRECHT DER FREIHEIT)"Fist-Fight of Freedom", "Fox", "Fox and His Friends")ãåé ÊÓÕÍß ÊËÝÍÑÈ (Clancy's Kitchen)ãåé ËÀÁÈÐÈÍÒ ÑÒÐÀÑÒÅÉ ( Laberinto De Pesiones )ýïèçîä ËÀÒÈÍÑÊÈÅ ÏÀÐÍÈ ÈÄÓÒ Ê ×ÅÐÒÓ (Latin Boys Go to Hell) ãåé ËÀÍ Þ (Lan Yu) ãåé ËÅ×Ü Ñ ÑÎÁÀÊÀÌÈ (Lie Down With Dogs) ãåé ËÈËÈÈ (Lilies)ãåé ËÎËÀ È ÌÀËÛØ ÁÈËËÈ (Lola and Billy the Kid) ãåé ËÎÌÀß ÏÐÅÃÐÀÄÛ-Èñòîðèÿ Ãðåãà Ëóãàíèñà (Breaking the Surface - The Greg Louganis Story) ãåé ËÎÆÜ (Øîññå íà Ëîíã-Àéëåíä) (L.I.E.) ãåé ËÓ×ØÅ ÍÅ ÁÛÂÀÅÒ (As Good As It Gets)ëèö\ýïèçîä ËÓ×ØÈÅ ÈÇ ÂÍÅ È ÂÍÅ ÏÎ ÂÒÎÐÍÈÊÀÌ (The Best of Out and Out on Tuesday ) ãåé ËÓ×ØÈÉ ÑÏÎÑÎÁ ÌÀÐØÈÐÎÂÀÒÜ ("LA MEILLEURE FACON DE MARCHER" "The Best Way to Walk", "The Best Way") ãåé ËÞÁÈÒÅËÈ ÌÓÇÛÊÈ "The Music Lovers" (èçâåñòåí òàêæå êàê: "Ken Russell's Film on Tchaikovsky and the Music Lovers") ýïèçîä ËÞÁÈÌÛÉ ÄÐÓà (Amigo/Amado, àíãë. íàçâàíèå Beloved/Friend) ãåé ËÞÁÎÂÜ ÁÅÇ ÈÌÅÍÈ (A Man of no Importance) ëèö\ðåö\ýïèçîä ËÞÁÎÂÜ ÝÒÎ ÄÜßÂÎË (Love is the devil) ËÞÁÎÂÜ È ×ÅËÎÂÅ×ÅÑÊÈÅ ÎÑÒÀÍÊÈ (Love And Human Remains)ãåé ËÞÁÎÂÜ, ÄÎÁËÅÑÒÜ, ÑÎÑÒÐÀÄÀÍÈÅ (Love, Valour, Compassion) ëèö\ãåé ËÞÄÂÈà (LUDWIG) ãåé Ì. ÁÀÒÒÅÐÔËßÉ (M.Batterfly)ëèö\òðàíñ ÌÀÄÀÃÀÑÊÀÐÑÊÀß ÊÎÆÀ (Madagaskar Skin)ýïèçîä ÌÀÆÎÐÅÒÊÈ Â ÊÎÑÌÎÑÅ. (Majorettes in Space)ãåé ÌÀÍÄÐÀÃÎÐÀ ("Mandragora")ãåé ÌÀÍÈß ËÞÁÂÈ (Delirios de amor)ãåé ÌÀÐÊÈÇ ("Marquis") ýïèçîä ÌÅÍß ÝÒÎ ÍÅ ÊÀÑÀÅÒÑß (Ìíå ýòî íè õ...ÿ íå ñòîèò) (No Skin off My Ass) ãåé ÌÅÍßß ËÈÖÎ "Changing Face" ãåé ÌÈÑÈÌÀ ("Mishima")ýïèçîä ÌÎÃÈËÀ ÊÝÒÐÈÍ ( "Catherine's Grove" "Crossover") òðàíñ ÌÎÉ ËÈ×ÍÛÉ ØÒÀÒ ÀÉÄÀÕÎ (MY OWN PRIVATE IDAHO)ãåé ÌÎÉ ÏÀÏÀ ÏÐÈÅÇÆÀÅÒ (My Father Is Coming)ëåñáè\ãåé ÌÎËÎÄÛÅ ÁËÞÇÎÂÛÅ ÁÓÍÒÀÐÈ (Young Soul Rebels) ýïèçîä ÌÎÐÈÑ (MAURICE)ãåé ÌÀÒÀÄÎÐ (Matador)ëèö\ýïèçîä ÌÎß ÂÅ×ÅÐÈÍÊÀ (IT'S MY PARTY)ëèö\ãåé ÌÎß ÆÈÇÍÜ Â ÐÎÇÎÂÎÌ (My life in rose) ("My Life in Pink")òðàíñ ÌÎß ÏÐÅÊÐÀÑÍÀß ÏÐÀ×Å×ÍÀß (My beautiful laundrette)ãåé ÌÓÆÑÊÈÅ ÒÀÍÖÛ (Macho Dancer)ãåé ÌÓÆ×ÈÍÀ ÊÀÊ ÆÅÍÙÈÍÀ (L'homme est une femme comme les autres "Man Is a Woman", "Ìóæ÷èíà, ïî ñóòè, òàêàÿ æå æåíùèíà, êàê è âñå ïðî÷èå")ëèö\ãåé ÌÓÆ×ÈÍÀ ÊÀÊ ÅÂÀ ("A Man Like Eva")"Ein Mann wie Eva" "Haus der Begierde")òðàíñ Ìóæ÷èíû-ìîäåëè: Ìàðê Âàíäåðëîî (Model: Mark Wanderloo)äîê Ìóæ÷èíû-ìîäåëè: Ìàðêóñ Øåíêåíáåðã ( Model: Marcus Schenkenberg)äîê Ìóæ÷èíû-ìîäåëè: Êåéò è Äåðåê Áðþýðû ( Model: The Brewer Twins )äîê ÌÓÆ×ÈÍÛ,ÌÓÆ×ÈÍÛ,ÌÓÆ×ÈÍÛ (Uomini,Uomini,Uomini/ Men,Men,Men)ãåé ÌÛ Ñ ÒÎÁÎÉ ÎÄÍÈ ÍÀ ÁÅËÎÌ ÑÂÅÒÅ(Wir Zusammen Allein Mit Dir) ãåé ÌÝÐÈ ÍÀÂÑÅÃÄÀ ( "Mery per sempre" - "Forever Mary")òðàíñ-ýïèçîä ÍÀÂÎÑÒÐÈÒÅ ÂÀØÈ ÓØÈ (Prick Up Your Ears)ãåé ÍÀÃÈØÎÌ Â ÍÜÞ-ÉÎÐÊÅ (Naked in New York)ýïèçîä ÍÀÏÀÑÒÜ(ÏÅ×ÀËÜ) (GRIEF)ãåé ÍÀ ÏËÀÂÓ (Floating) ýïèçîä -ãåé ÍÀÑ ÄÂÎÅ ("Two of Us" "Ìû âäâîåì", "Mates")ãåé ÍÀÑÒÎßÙÈÅ ÌÓÆÈÊÈ ( Echte kerle, äðóãîå íàçâàíèå Regular Guys) ãåé ÍÀØÈ ÑÛÍÎÂÜß ("Our Sons" "Too Little, Too Late")ãåé ÍÅÈÇËÅ×ÈÌÛÅ (Beyond Therapy)ëèö\ýïèçîä ÍÅÐÀÑÊÐÛÂØÈÅÑß ÏÀÐÀØÞÒÛ (Streamers)ýïèçîä ÍÅ ÇÀÁÛÂÀÉ, ×ÒÎ ÑÊÎÐÎ ÒÛ ÓÌÐÅØÜ(N'oublie pas que tu vas mourir, Don't Forget You're Going To Die) ýïèçîä ÍÈÊÎÌÓ ÍÅ ÃÎÂÎÐÈ(Don't Tell Anyone)ãåé ÍÎ×ÍÎÉ ÇÎÎÏÀÐÊ (Un Zoo la Nuit)ýïèçîä ÍÎ×ÍÛÅ ÏÒÈÖÛ("Nighthawks") ãåé ÎÁÐÀÇÅÖ ÌÓÆÑÊÎÉ ÊÐÀÑÎÒÛ (Beefcake)ãåé ÎÁÐÀÒÍÎ ÍÀ ÑÒÀÐÒ (ZURUCK AUF LOS ) RETURN TO GO! ãåé ÎÁÍÀÆÅÍÍÎÅ ØÎÑÑÅ (Naked Highway)ãåé ÎÁÌÀÍ (La Triche) ÎÁÚÅÊÒ ÌÎÅÃÎ ÂÎÑÕÈÙÅÍÈß (The Object Of My Afection)ëèö\ãåé ÎÃÎËÅÍÍÛÉ ÏÐÎÂÎÄ (THE LIVING END)ãåé ÎÄÅÐÆÈÌÛÅ ÁÐÎÄÂÅÅÌ (Broadway Damage)ãåé ÎÄÈÍÎÊÈÉ ÊÎÂÁÎÉ (Lonesome Cowboys) "Andy Warhol's Lonesome Cowboys", "Horse", "Ramona and Julian")ãåé ÎÐÅË ÈËÈ ÐÅØÊÀ (Heards or Tales)ëèö\ãåé ÎÐËÀÍÄÎ (Orlando) ÎÑÒÎÐÎÆÍÎ : ÑÂßÒÀß ÏÐÎÑÒÈÒÓÒÊÀ ("Warnung vor einer heiligen Nutte")ýïèçîä ÎÑÒÐΠËÅÑÁÎÑ (Isle Of Lesbos) ÎÒÂÎÄß ÃËÀÇÀ (Parting Glances)ãåé ÎÒÊÐÛÒÊÈ ÈÇ ÀÌÅÐÈÊÈ (Postcards From America)ãåé ÎÒÊÐÛÒÛÅ ÒÅËÀ (Les Corps Ouverts)ãåé Î×ÊÈ Â ÇÎËÎÒÎÉ ÎÏÐÀÂÅ (LUNETTES D'OR LES) Gli Occhiali D'oro)ãåé ÏÀÐÈÆ,ÔÐÀÍÖÈß( Paris France)ãåé ÏÀËÅÍÛÅ ÄÅÍÜÃÈ (Burnt Money) ãåé ÏÀÐÅÍÜ - ÕÎÒÜ ÊÓÄÀ (È ýòî âñå î íåì) (All Over the Guy ) ãåé ÏÀÐÍÈ Â ÊÈÍÎ ÷àñòè 3 è 4 (Boys on Film, parts 3 and 4)ãåé ÏÀÐÍÈ Â ÊÈÍÎ ÷àñòü 6 (Boys On Film - 6)ãåé ÏÀÐÍÈ ÍÅ ÏËÀ×ÓÒ(Òåðòûé êàëà÷, Boys Don't Cry)ëåñáè\ëèö ÏÀÐÍÈ: ÊÎÐÎÒÊÎÌÅÒÐÀÆÍÛÅ ÔÈËÜÌÛ(Boys Briefs) ãåé ÏÀÐÒÍÅÐÛ" (ÍÀÏÀÐÍÈÊÈ) (Partrners)ãåé ÏÀÖÈÅÍÒ 0 (ZERO PATIENCE)ãåé ÏÅÐÂÀß ËÞÁÎÂÜ È ÄÐÓÃÈÅ ÇÀÍÎÇÛ Â ÇÀÄÍÈÖÅ ÏÅÏÅË Â ÑÒÎËÈÖÅ (Cinzas No Planalto)ãåé ÏÈÑÑÓÀÐ (Urinal)ýïèçîä ÏÈØÎÒ: ÂÛÆÈÂÀÍÈÅ ÑËÀÁÅÉØÅÃÎ (Pixote: A Lei do Mais Fraco)ãåé ÏËÎÒÜ ("Flesh") ("Andy Warhol's Flesh")ãåé\áè ÏËßÆÍÛÉ ÏÑÈÕÎÇ (Psycho Beach Party) ýïèçîä ÏÎ ÒÓ ÑÒÎÐÎÍÓ ÄÎÁÐÀ È ÇËÀ ( "Al di là del bene e del male" "Au-delà du bien et du mal", "Jenseits von Gut und Bîåse", "Beyond Good and Evil") ÏÎÄÍÀ×ÊÀ(ÒÐÞÊ) (Trick)ëèö\ãåé ÏÎÄÑÎÑ (The Fluffer) ãåé ÏÎÆÀËÓÉ , ÄÀ (I think I Do)ãåé ÏÎÊÀ ÍÅ ÍÀÑÒÓÏÈÒ ÍÎ×Ü (Before Night Falls)ãåé \ëèö\ðåö ÏÎÊÀÆÈ ÌÍÅ ËÞÁÎÂÜ (Fucking Amal)ëèö\ëåñáè ÏÎËÊÎÂÍÈÊ ÐÅÄËÜ ("Colonel Redl")ëèö\ýïèçîä ÏÎËÍÎÅ ÇÀÒÌÅÍÈÅ (TOTAL ECLIPSE)ãåé ÏÎËÍÎÑÒÜÞ ÇÀÒÐÀÕÀÍÍÛÉ (Totally f***ed Up)ãåé ÏÎËÍÎ×ÍÛÅ ÒÀÍÖÎÐÛ (Midnight Dancers) "Sibak", "Íî÷íûå òàíöîðû"ãåé ÏÎËÍÎ×Ü Â ÑÀÄÓ ÄÎÁÐÀ È ÇËÀ (Midnight In The Garden Of Good And Evil)ãåé ÏÎËÓÍÎ×ÍÛÉ ÝÊÑÏÐÅÑÑ(Midnight Express)ëèö\ýïèçîä ÏÎËÛÉ ÒÐÎÑÒÍÈÊ ( Hollow Red)ãåé ÏÎÑËÅÄÍÈÉ ÏÎÂÎÐÎÒ ÍÀ ÁÐÓÊËÈÍ (Last Exit to Brooklyn)ëèö\ýïèçîä ÏÎÑËÅÄÍÈÉ ÃÎÄ (The Last Year) ãåé ÏÎÖÅËÓÉ ÆÅÍÙÈÍÛ-ÏÀÓÊÀ (Kiss of the Spider Woman)ýïèçîä ÏÎÖÅËÓÉ ÌÅÍß , ÃÂÈÄÎ (Kiss me Guido)ëèö\ãåé ÏÎ×ÒÈ ÍÈ×ÅÃÎ (Come undone, ôð. íàçâàíèå Presque Rien) ãåé ÏÐÅÊÐÀÑÍÀß ÂÅÙÜ ( ÊÐÀÑÎÒÀ) "Beautiful Thing"ãåé ÏÐÈÊËÞ×ÅÍÈß ÏÐÈÑÖÈËËÛ -- ÊÎÐÎËÅÂÛ ÏÓÑÒÛÍÈ ("The Adventures Of Priscilla, Queen Of The Desert")ëèö\òðàíñ\ãåé ÏÐÈÇÐÀÊ ( O FANTASMA) ãåé ÏÐÎÑÒÈ, ÊÐÀÑÎÒÊÀ, ÍÎ ËÓÊÀÑ ËÞÁÈË ÌÅÍß (Perdona Bonita, pero Lucas me queria a mi)ãåé ÏÐÎÑÒÈÒÜ È ÇÀÁÛÒÜ ("Forgive and Forget")ãåé ÏÐÎÒÈÂÎÏÎËÎÆÍÎÑÒÜ ÑÅÊÑÀ (Opposite of Sex)ëèö\ýïèçîä ÏÐÎÔÅÑÑÈÎÍÀËÜÍÛÉ ÌÓÆ×ÈÍÀ "Professional Man"ãåé ÏÐÎÙÀÉ ÌÎß ÍÀËÎÆÍÈÖÀ (Farewell, My Concubine)ëèö\ýïèçîä ÏÑÛ ÁÎËÜØÎÃÎ ÃÎÐÎÄÀ ( Big City Blues) ÏÒÈ×Üß ÊËÅÒÊÀ ("The Birdcage")ãåé\ëèö\ðåö ÏÓÒÅØÅÑÒÂÈÅ ÄÆÀÐÅÄÀ ÏÐÀÉÑÀ "The journey of Jared Price"ãåé ÏÓÒÅØÅÑÒÂÈÅ ÔÅËÈÊÑÀ (ÑÌÅØÍÎÉ ÔÅËÈÊÑ) "DROLE DE FELIX" ãåé ÏÓÒÅØÅÑÒÂÈÅ Ê ÎËÈÌÏÓ (Òraveling to Olympia) ãåé ÏßÒÜ ×ÓÂÑÒ “FIVE SENSES”ëèö\ýïèçîä ÐÀÂÍÛÅ ÑÛÍÎÂÜß "(Ïàðàëëåëüíûå ñûíîâüÿ) (Parallel Sons)ýïèçîä ÐÀÇÂÐÀÒÍÛÅ ÏÀÐÍÈ (Gypsy Boys) ãåé ÐÀÍÅÍÛÉ ×ÅËÎÂÅÊ ( "L'Homme Blesse" - "The Wounded Man") ÐÀÑÑËÀÁÜÑß , ÝÒÎ ÏÐÎÑÒÎ ÑÅÊÑ (Relax, It's Just Sex)ëåñáè\ãåé ÐÀÑÑÒÀÂÀÍÈÅ Ñ ÕÜÞ (Apart From Hugh)ãåé ÐÅÊÀ ÓÒÎÏËÅÍÍÈÊΠ(River Made To Drown In) ãåé \ëèö\ðåö ÑÀÄ (TheGarden) Ñ ÍÀÑÒÓÏËÅÍÈÅÌ ËÅÒÀ(Ànd Then Came Summer) ãåé ÑÀÌÛÉ ÆÅËÀÍÍÛÉ ÌÓÆ×ÈÍÀ ("Most desired man" "Maybe, Maybe Not", "The Most Desired Man", "The Turbulent Man"ãåé CÀÒÀÍÈÍÑÊÎÅ ÇÅËÜÅ (Satan's Brew )ýïèçîä\ëèö ÑÂÀÄÅÁÍÛÉ ÁÀÍÊÅÒ (THE WEDDING BANGUET)ãåé ÑÂÀÄÜÁÀ ÌÎÅÃÎ ËÓ×ØÅÃÎ ÄÐÓÃÀ ("My Best Friend's Wedding")ýïèçîä\ëèö ÑÂÈÄÀÍÈÅ ÍÀ ÎÄÍÓ ÍÎ×Ü (One Night Stand)ýïèçîä ÑÂßÙÅÍÍÈÊ (PRIEST)ãåé ÑÂßÙÅÍÍÎÅ ÌÎË×ÀÍÈÅ (Sacred Silence (Pianese Nunzio Quattordici Anni a Maggio) ãåé ÑÅÁÀÑÒÜßÍ(Sebastiane)ãåé ÑÅÁÀÑÒÜßÍ (Sebastian)ãåé ÑÅÊÑ È ÆÈÇÍÜ Â ËÎÑ ÀÍÆÅËÅÑÅ (Sex/Life in L.A.)ãåé ÑÅÍÒÅÌÅÍÒÀËÜÍÀß ÏÅÑÍß (ÃÐÓÑÒÍÀß ÏÅÑÍß) ("Torch Song Trilogy") ÑÅÐÀß ÔÎÐÌÀ (èçâåñòåí òàêæå êàê: "Ïàðàäíàÿ ôîðìà") (Grey Uniforme, "Dress Gray")ýïèçîä ÑÊÅËÅÒÛ (Skeletons)ýïèçîä ÑÊÎÐÎÑÒÜ ÊÀÊ ÍÀÐÊÎÒÈÊ(Speedway Junky) ãåé ÑÌÅÐÒÜ Â ÂÅÍÅÖÈÈ (DEATH IN VENICE)ãåé ÑÌßÒÅÍÈÅ ×ÓÂÑÒ ("La Confusion Des Sentiments") ãåé\ëèö ÑÎÂÑÅÌ ÊÀÊ ÆÅÍÙÈÍÀ (Just like a Woman)òðàíñ ÑÏÀËÜÍÈ È ÊÎÐÈÄÎÐÛ ("Bedrooms and Hallways")ãåé ÑÏÅÒÒÅÐÑ ( "Ëèõà÷è" - "Spetters")ýïèçîä ÑÏßÙÈÅ(Sleepers)ëèö\ýïèçîä ÑÒÎÐÎÆ ÁÐÀÒÀ ÌÎÅÃÎ (My brother's keeper)ýïèçîä ÑÓÏÅÐ 8,5 ( "Super 8 1/2") ÑÓÕÀß ×ÈÑÒÊÀ "Dry Cleaning" ãåé-ýïèçîä ÑÒÓÄÈß 54 ýïèçîä\ëèö Ñ×ÀÑÒËÈÂÎÃÎ ÐÎÆÄÅÑÒÂÀ, ÌÈÑÒÅÐ ËÎÓÐÅÍÑ (MERRY CHRISTMAS MR.LAWRENCE)ýïèçîä\ëèö Ñ×ÀÑÒËÈÂÛ ÂÌÅÑÒÅ (Happy Together)ãåé Ñ×ÀÑÒËÈÂÛÉ ÒÅÕÀÑ (Ãîðîä ñ÷àñòüÿ, øòàò Òåõàñ )(Happy, Texas)ýïèçîä\ëèö ÑÚÅÌ ÍÀ ÏÈÊÊÀÄÈËËÈ (Piccadilly Pickups)ãåé ÒÀÁÓ ("Ãîõàòòî" Taboo "Gohatto")ðåö\ãåé\ëèö ÒÀÊÑÈ ÄÎ ÒÓÀËÅÒÀ ("Taxi Zum Klo" - "Taxi To The Toilet") ÒÀËÀÍÒËÈÂÛÉ ÌÈÑÒÅÐ ÐÈÏËÈ (The Talented Mr. Ripley)ýïèçîä\ëèö ÒÀÍÃÎ ÍÀ ÒÐÎÈÕ (Three to tango)(Three For Tango)ëèö\ýïèçîä ÒÅËÎ ÁÅÇ ÄÓØÈ (Body Without Soul)ãåé ÒÎ, ×ÒÎ ÅÑÒÜ (Like it is)ãåé ÒÎËÜÊÎ ÎÄÈÍ ÐÀÇ (Just One Time) ãåé\ëåñáè ÒÎÐÆÅÑÒÂÎ (Festen) (èçâåñòåí òàêæå êàê: "Äîãìà-Òîðæåñòâî", "The Celebration", "Dogme-1")ýïèçîä\ëèö ÒÐÈÎ (("Òðîèöà")("Threesome")áè ÒÐÈÎ ( Êðèìèíàëüíîå òðèî) ("The Trio")áè ÒÐÓÆÅÍÈÊÈ È ÑÒÐÀÍÍÈÊÈ (The Toilers and the Wayfarers) ãåé ÒÓÄÀ - ÑÞÄÀ (ÂÕÎÄ È ÂÛÕÎÄ) ("In and Out")ýïèçîä\ëèö ÒÓÐÅÖÊÀß ÁÀÍß (ÕÀÌÀÌ) (Turkish Bath: Hamam)ýïèçîä ÒÞÐÅÌÍÛÉ ÑÐÎÊ ÍÀ ÌÝÄÈÑÎÍ-ÄÐÀÉ (Doing time on Maple Drive)ëèö ÓÀÉËÜÄ ( Wilde)ãåé\ëèö ÓÁÈÒÜ ÂÅÐÑÀ×Å ("The Versace Murder")ãåé ÓÌÅÐÅÒÜ ÇÀ..... (TO DIE FOR) ("Heaven's a Drag")ãåé ÓÐÁÀÍÈß(Urbania)ãåé ÔÈÅÑÒÀ ( Fiesta)ãåé ÔÈËÀÄÅËÜÔÈß ( Philadelphia ).ëèö\ãåé ÔËÈÐÒ (Flirt) ãåé ÔÎÒÎÃÐÀÔÈÈ (Fotos)ýïèçîä ÔÐÓÊÒÎÂÛÉ ÀÂÒÎÌÀÒ( "The Fruit Machine" "Wonderland")ãåé ÕÀÑÒËÅÐ ÂÀÉÒ ( ÁÅËÛÉ ÕÀÑÒËÅÐ) (Hustler White)ãåé ÕÀÌÅËÅÎÍ ("Ïëàòÿíîé øêàô""Âûéòè èç øêàôà")("Le Placard","The Closet") ãåé ÖÅËËÓËÎÈÄÍÛÉ ØÊÀÔ(Celluloid Closet)"Øêàô ñ êèíîïëåíêîé", "Gefangen in der Traumfabrik")äîê ÖÅÏÜ ÂÎÆÄÅËÅÍÈß (Chain Of Desire)ãåé ×ÀÑÛ È ÂÐÅÌÅÍÀ ( "The Hours and Times")ãåé ×ÀÊ È ÁÀÊ (Chuck & Buck) ãåé\ëèö ×ÅÃÎ ÌÛ ÑÒÎÈÌ Â ÆÈÇÍÈ ( Ìû âìåñòå îäíè íà áåëîì ñâåòå) (The Sum of Us)ãåé ×ÅËÎÂÅÊ ÃÎÄÀ (Man of the year)ãåé ×ÅÐÍÎÅ È ÁÅËÎÅ( Black and White) ×ÅÒÂÅÐÒÛÉ ÌÓÆ×ÈÍÀ (THE FOURTH MAN) "De Vierde Ìan" ×ÈËË ÀÓÒ (Chill Out) ãåé ×ÓÂÑÒÂÀ (SENSO)ýïèçîä ×ÓÒÜ- ×ÓÒÜ ÍÅ Ñ×ÈÒÀÅÒÑß( ËÓ×ØÈÉ ÄÐÓÃ) "The Next Best Thing"ëèö\ýïèçîä ØÅÑÒÜ ÑÒÅÏÅÍÅÉ ÎÒ×ÓÆÄÅÍÈß ("Six Degrees Of Separation")ýïèçîä ØÅÑÒÜ ÔÓÒΠÏÎÄ ÇÅÌËÅÉ ÏÅÐÂÛÉ ÑÅÇÎÍ(Six Feet Under: The Complete First Season) ãåé ØÊÎËÜÍÈÊ , ÌÀÒÐÎÑ , ÑÂßÒÎÉ (Schoolboy, Sailor, Saint)ãåé ØÎÊ ( ÎÁÌÎÐÎÊ) "Swoon"ãåé ØÎÓ ÓÆÀÑÍÎÃÎ ÐÎÊÊÈ (The Rocky Horror Picture Show)òðàíñ ÝÄÓÀÐÄ ÂÒÎÐÎÉ (EDWARD II) ÝÉÍØÒÅÉÍ ÑÅÊÑÀ.(Der Einstein Des Sex )ãåé ÝÊÇÎÒÈÊÀ (Exotica)ýïèçîä ÝÐÍÅÑÒÎ (Ernesto)ãåé ÝÑÊÎÐÒ (L'escorte) ãåé ß ÇÀÑÒÐÅËÈËÀ ÝÍÄÈ ÓÎÐÕÎËÀ ("I Shot Andy Warhol")ðåö\ëèö\ãåé\ëåñáè ß ÍÅ ÑÏËÞ ("Ìíå íå ñïèòñÿ", "I Can't Sleep", "I'm Not sleepy")ãåé ß ÍÅ ÖÅËÓÞÑÜ ( "J'embrasse pas" "I Don't Kiss", "Niente baci sulla bocca")ãåé ß ÒÅÁß ÁÎËÜØÅ ÍÅ ËÞÁËÞ ("Je T'Aimes, Moi Non Plus" - "I Love You No More")ãåé ßÄ (Poison)ãåé |
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